Their distinctive clean sound and preferred choice of European groups for remixing and editing, saw them capture the club sound of the newly born MTV generation. Tweaked or completely new versions of songs allowed the club DJs to give dancers a unique aural experience. Appearing at the tail end of these disco forbears, Razormaid! This San Francisco-based label took the remix service mantle forward as clubbing embraced the new wave, synth pop and electronic sounds emerging mainly out of Europe.
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The euphoria of the disco years were replaced by the uncertainty and loss suddenly brought on by the outbreak of the AIDS epidemic. This is the story of Razormaid! These were boutique outfits, with names like Disconet , Hot Tracks , Art of Mix , and Mix-It, that had a symbiotic relationship with dance music labels. It also pushed a different kind of sound. Are you like some big hotshot DJ from Miami or Paris? He spent his time performing choral works with a string quartet at his bar, keeping up the formal vocal and theoretical training he received while a student at Chapman University in Orange, California. They met at a record shop. One day, while observing Maharg struggle with the rudiments of turntable control, Watt tried his hand at a mixtape in an effort to help his friend out. You got those to all line up?